Emmy

This is Her!

music of your mouth

this baseline hurts my heartline.
not quite like a flatline, more undulating;
slightly flattering, the sound warbles—
like walking on marbles, or
singing underwater;
like diving into a voice
and never resurfacing.

Romeo and Juliet Alternate Ending [Written in Iambic Pentameter]; 2014

PARIS: Anon, good page, I need you not inside—
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍repose or leave, my paramour awaits.
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍I abhor this infected, dry moon, but
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍my grievances do naught. Alas, weep naught,
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍and faith naught, and cens not, I wish myself
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍alone. Begone!

PAGE: As you wish, sire. I know better than to prate.

PARIS: Good ye den, the moon lights up thine gate.

[PARIS enters the tomb]

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he said,

to be honest you amaze me every single day
just by proving to me that you do love me
and that in turn, all dreams
no matter how absurd
can come true.

search history

‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ weird places to make new friends?
how do i—?say something to that boy over there
who i know will get along with me so well
‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ because he’s got patches on his jacket
of all the things i think i might like too.

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blue wrist

sit here resting darkness gone
but leaving on a journey:
smell the wrist and take in all its
dark and scented glory.

thinking ’cause

was not easy while
yyou were staring at me
up up up and
down;
had nothing to compare (all this ache, too
you’d sucked it out of the room)
you know you do.

The Long Way Home

THELMA is sitting on a chair in the foreground of the train, looking out of the window. A couple comprising of A YOUNG MAN and a YOUNG LADY are in the background, standing up and holding onto the hanging straps. They are swaying with the movement of the train. The Young Man is holding a rolled up newspaper in his free hand.

YL:
I don’t like trains. They make me nervous.

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